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Buy Fujifilm X20 12 MP Digital Camera with 2.8-Inch LCD (Silver)

Senin, 05 Agustus 2013 | di 02.41

Fujifilm X20 12 MP Digital Camera with 2.8-Inch LCD (Silver)
  • New Intelligent Hybrid AF system instantly switches between Phase detection and Contrast AF
  • Full HD movies @ 60fps
  • Bright, advanced optical viewfinder with "Real Time" shooting data display

Bright, advanced optical viewfinder with "Real Time" shooting data display




List Price: $ 599.95

Price: [wpramaprice asin="B00AV3XH9W"]































































































































Customer Reviews







































































































































































































192 of 200 people found the following review helpful


5.0 out of 5 stars
Great alternative to SLR's, April 15, 2013


By 
Eric Slay (Orange County, CA) - See all my reviews
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I am a professional photographer and a previous owner of the Fuji X100. The reason I got the original Fuji, and then this x20 was that I wanted to have a nice looking camera I could take with me on trips, etc. that would take great pictures without weighing a ton and being a huge cumbersome burden (like my 5dmk3).

Other than the great looks, I wasn't a big fan of the X100. It had so many glaring flaws that I returned it after a week of use. I am happy to say that this x20 model has addressed most of the issues that made the x100 such a pain. Rather than go into them specifically, I'll just give you my thoughts on this new model.

First, and foremost, the camera takes amazing pictures. This is not an overstatement. I have used all levels of point&shoot cameras over the years and this one is the first to really produce SLR-like quality in a small form factor. The pictures are sharp, the focus is accurate, and the colors are rich. Another way of putting it is this: there are always tell-tale signs that pictures are shot with a P&S camera: too sharp, too much contrast, too vibrant, etc. This camera produces these qualities (sharpness, contrast, vibrance) through great optics, NOT through in-camera processing. It's the real-deal, and you can see the difference.

The build quality of the camera is fantastic. It is sturdy, made primarily of metal, and feels great in my hands. Most important controls are easily accessed with dedicated buttons. I especially like the +2 to -2 exposure control dial on the top. This is something that I use all the time on my SLR and something I think a lot of non-pros could benefit from. When the sensor is tricked by backlight, just dial it up, when things are too bright and getting blown out, just dial it down. It's easy and fast and it's second nature to use for me.

The only control that I think is left out is a thumb controller for the focus point. As it currently is, you must press the AF button (on a wheel with macro, flash, and timer) and then scroll around to change the focus point. It's not a deal-breaker, but it would have been nice to have an 8way dedicated thumb controller for the focus point. I change my focus points constantly, and I just can't do it as fast as I'd like on this model. On top of this, when you look through the eyepiece, which you should be most of the time, you can't change it. You need to take your head back and look at the back of the camera.

I also love the variety of modes the camera has. There are so many that I haven't been able to master the benefits of each setting yet. Here's a brief synopsis:

P, S, AE, and M are the usual suspect that all cameras have.

SR is an advance auto mode that determines the best settings based on the scene. It even shows its predictions, so you can see if it is accurately assessing the situation. From my experience, it's startlingly accurate. It chooses from: landscape, night, tripod, beach, sunset, snow, sky, greenery, and sky & greenery. Having these settings on a camera is old news, but having the camera predict the scene itself and do so with great accuracy is a pretty exciting advancement.

Adv. Advanced lets you make some stylish choices and make your pictures look a little Instagram-ish. I'm not a huge fan of this kind of thing, but I suspect many people will be. The choices are: toy camera (lomo), miniature (tilt-shift), pop-color, high-ley, low-key, dynamic tone, soft focus, and a handful of partial-color masks (everthing BW except reds, etc.).

In this mode, I LOVE the tilt-shift (miniature) setting. I used to own a 00 tilt-shift lens that I'd pull out once a wedding and use, but sold it because I wasn't using it enough. Now I've been using this and getting the greatest results.

Motion Panorama: an onscreen guide steps you through making a panorama.

Pro-Focus: the camera takes 3 pics and then softens the background to make a portrait-like shot. This actually works better than you'd expect, but I don't use this feature to take portraits.

Pro-Low light: This combines 4 pictures of poorly-lit subjects and combines them. The problem with this and Pro-Focus is that if your subject moves (and they always are, even if just by breathing), it doesn't work well.

Multiple Exposure: You can use this to combine several pictures into one. For example, you can take a picture of the moon, then recompose your shot, and place that same moon in the sky over a cityscape. I've used this to create ghost-pictures to scare my kids.

SP (Scene-Position): This is your standard setting where the user gets to choose what their shooting. The choices are portrait, portrait enhancer, landscape, sport, night, night (tripod), fireworks, sunset, snow, beach, underwater, party, flower, and text.

And finally, there is the macro mode, which is excellent. It is so good, in fact, that I am...




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134 of 150 people found the following review helpful


5.0 out of 5 stars
Excellent not-quite-pocket-sized camera., March 26, 2013


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I must admit. I'm a tad spoiled as my wife has been using the absolutely fantastic Sony DSC-RX100, so I figured I'd do a little comparison between the RX100 and X20, with some standalone thoughts on the X20.

First, the X20 is a very attractive camera, because it captures that retro look very well. On the flip-side, you could take out the X20 at a party and easily convince everyone you bought it in 1985. That's a good thing or a bad thing depending on your standpoint. :-)

Anyway, the build quality is excellent. This is a solid-feeling camera, much more so than the Sony RX100. However, that solidity comes with some seriously more weighty... weight.

Weight:
Sony DSC-RX100 with battery = 8.5oz
Fujifilm X20 with battery = 12.7oz

That means the Fuji is a hair under 50% heavier than the Sony, and it's quite noticeable.

Dimensions:

Sony DSC-RX100 = 4 inches (w) x 2.3 inches (h) x 1.4 inches (d)
Fujifilm X20 = 4.6 inches (w) x 2.7" (h) x 2.2" (d)

That dimensional difference, too, is extremely noticeable. The additional weight and size means you're not carrying this on your person unless you have very baggy pockets. The lens sticks out considerably further on the X20 contributing to this.

That said, the Fujinon lens on the X20 is excellent, - an absolutely joy to use. This camera is much, much easier to attain dreamy bokeh on than the Sony, due to the much wider aperture at full zoom (f2.8 on the Fuji vs 4.9 on the Sony). In this regard, the Sony can't touch the Fuji, despite the Sony's much larger sensor size (double the Fuji's!). Also, quite niftily, you can attach a 40mm-to-52mm ring adapter to the X20's lens, thus enabling you to use all manner of cheap UV, polarizing and neutral density filters etc. Awesome.

I'm using this one, personally, and it works just great because it works as a lens hood, too: EzFoto 52mm Filter Adapter + Lens Hood for Fuji X10, with a free lens cap

The X20 has a manually-activated flash that pops straight up and points dead ahead, unmoving. The Sony RX100 has a shutter-activated flash, and has the outstanding ability of being able to be pointed up to the ceiling and used as a bounce flash (as well pointing straight ahead). While it's not a blazingly-poweful light, in a pinch it works great in relatively small rooms, and portraits have turned out infinitely better than a head-on flash using this feature. I was surprised to be able to do this, but it's such a great little feature! I wish the X20 worked similarly.

In terms of menus etc, neither the Sony nor the Fuji have particularly intuitive interfaces, and both have a learning curve before you'll feel anywhere near adept. The nod has to to go the Sony, though, as the menus feel quite modern and.. swish. The Fuji's menus aren't terrible, but I found myself quite a bit more frustrated trying to navigate around them. They're just quite clunky.

The X20 has two dials on the top of the camera. One is for your typical pictures modes (aperture/shutter priority, manual, special picture modes etc), and the other, inexplicably, is an exposure compensation dial from -2 to +2. I was surprised that Fuji dedicated a dial to this one feature, and assumed there would be more uses for the dial that I'd discover by digging through the manual. Nope. Page 49 says the following:

"Use exposure compensation when photographing very bright, very dark, or high contrast subjects."

That's it. A whole dial (described in just a single sentence in the manual) dedicated to one thing that could easily be accessed via a shortcut menu. Crazy!

On the plus side, the X20 has a viewfinder - yay! While it's only an 85% viewfinder (you'll have some image around the edges that you'll see in post-process that you don't see through the viewfinder), it works "OK" (see March 27 edit, below), but does show you plenty of useful information (iso, f/stop, shutter speed). It's great to be able to keep your eyes through the viewfinder and change settings once you learn the controls. Good stuff. It can sometimes be a bit tricky to focus your eyes on the projected text in the viewfinder, though, but you tend to get used to it.

The X20 features 49 selectable focus points on the LCD, and I found each and every one of them to be very accurate.

While the RX100 and X20 both have panorama functionality, I found the RX100's to be superior, with less erroring between frames when they're stitched together. Both do a great job, though.

The X20, sadly, does not have an HDR mode built in that I could find. This is an extremely useful feature, and I've seen some absolutely fabulous, natural-looking HDR'ed shots from the RX100 that, sadly, won't ever come from the X20.

The X20 shoots at 12fps, which is two more...




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81 of 89 people found the following review helpful


5.0 out of 5 stars
Fujifilm X20: Superb performance + excellent ergonomics ★[Updates]★, April 8, 2013


By 
John Williamson (NYC & Bucks County, PA) - See all my reviews
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Fujifilm is a fascinating photo and imaging manufacturing company, a survivor in a world where we've witnessed the demise of such cameras as those from Minolta, Konica, Yashica, Contax, Topcon, Bronica and too many more to mention here. The company has survived largely because of good business practices and listening to the needs of photographers.

The Fujifilm X20 is a camera in which I had been highly interested since the release of this and the Fuji X100s early this year. I had looked seriously at the Fujifilm X10 last year, but there were some subjective needs that for me it didn't meet, so it was passed on. I'm glad that I waited, as the number of improvements over the X10 is quite large. There are said to be about fifty improvements that have been made, but in all fairness, I won't get into a Fuji X20 vs. X10 comparison here, as my experience with the earlier model was limited to just a few days use.

Getting right down to the subjective points, followed with a more detailed look based on personal use, here are my basic observations.

◆ Pros:

+ Excellent retro design; solid build quality coupled with good contemporary ergonomics
+ Sharp 4x optical zoom; comfortable 28mm to 112mm f/2.0- f/2.8 equivalent, image stabilization
+ Has a 7-blade aperture diaphragm; contributes to excellent bokeh effects
+ EXR Processor II dual CPUs; cold start-up time about

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